Written Articles

Explore my text and multimedia articles covering a range of topics from politics to arts and culture and travel.

Articles published in Palatinate (Durham University's student publication), my personal Substack page, and written for the MA International Journalism at City St George's, University of London.

'Survive until 2025’: Young Actors in UK Struggle One Year On From Hollywood Strikes

One year on from the SAG-AFTRA (Screen Actors’ Guild and American Federation of Television and Radio Artists) strikes of 2023, young actors worldwide are struggling to break into the industry. Éloïse Richmond graduated from Bristol Old Vic Theatre School in July 2023. Since leaving drama school, she says that the phrase ‘survive until 2025’ has been circulating in the industry.

Students to the ballot box: vote in 2024

In the 2019 General Election, only 47% of 18- to 24-year olds voted, according to statistics published by Ipsos, representing a 7% decrease since the 2017 election. But why are so many young people choosing not to engage in politics?


According to a 2022 report by the UK Parliament, 60% of 18- to 25-year-olds think that politicians ‘don’t care’. Further statistics from the British Youth Council reveal that 71% of young people do not feel that political parties speak directly...

Good news, and how to find it

Keeping up with what’s going on in the world is incredibly important. With so many political, humanitarian, and social problems in the world, it’s easy to feel overwhelmed by all the information coming at us from every angle. Some of the most upsetting stories are the headlines which make the front pages or pop up first on news websites. In fact, it has been proven that negative headlines have more than a 60 percent higher click-through rate than positive ones.

Prima Facie: the play destigmatising consent

C/W: This article contains mention of sexual assault.

From April to June 2022, BAFTA-award winning actress Jodie Comer performed a sold out run of Suzie Miller’s play, Prima Facie. From the masterfully crafted and atmospheric music by Self Esteem, to Miriam Buether’s breath-taking set, the one hour 40-minute production was a masterclass on how to put on a play which all of the 60,000 total audience members, myself included, were privileged to witness first-hand.